Entre graphic recording y la Pareidolia

This series springs from a personal observation of how we perceive forms and images in our everyday surroundings. I’m especially interested in pareidolia—the phenomenon by which we recognize familiar figures in stains, surfaces, or abstract structures. In my work, this experience connects with the visual memory we accumulate over time.

The more I draw, read, or observe, the fuller that mental archive of images becomes. And the heavier it grows, the more shapes I find in what surrounds me. Sometimes, when I’m focused on a specific theme and glance at a wall or the ground, my mind begins to construct related figures. Images emerge like echoes, remnants of what I’ve already seen or thought.

I do not force my gaze or judge what appears. What fascinates me is precisely what arises spontaneously, just as my mind projects it. At times, that visual memory blends figures, transforms them, or chains them together. And it is in that free crossing—between the real and the inner world—where I often discover the first spark of an image.

This is not a theory or a scientific truth. It’s an experience, a way of perceiving that has accompanied me for years. This series is my attempt to translate that internal perception—intuitive, fluid, suggestive—into pictorial language.